Turning Pro

Steven Pressfield

“The thesis of this book is that what ails you and me has nothing to do with being sick or being wrong. What ails us is that we are living our lives as amateurs . . . The solution, this book suggests, is that we turn pro.” —Steven Pressfield
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ABOUT

“The thesis of this book is that what ails you and me has nothing to do with being sick or being wrong. What ails us is that we are living our lives as amateurs . . . The solution, this book suggests, is that we turn pro.”

—Steven Pressfield


Turning Pro Is Free, But It’s Not Easy.

When we turn pro, we give up a life that we may have become extremely comfortable with. We give up a self that we have come to identify with and to call our own.


Turning Pro Is Free, But It Demands Sacrifice.

The passage from amateur to professional is often achieved via an interior odyssey whose trials are survived only at great cost, emotionally, psychologically and spiritually. We pass through a membrane when we turn pro. It’s messy and it’s scary. We tread in blood when we turn pro.


What We Get When We Turn Pro.

What we get when we turn pro is we find our power. We find our will and our voice and we find our self-respect. We become who we always were but had, until then, been afraid to embrace and live out.

ABOUT THE AUTHOR
Steven Pressfield

If you're a reader of www.stevenpressfield.com, you already know more about Steve than his own family. So in lieu of a conventional bio, here are a few fun facts: 1. Steve and Shawn Coyne first met in 1998, when Shawn as an editor at Doubleday made an offer on Steve's historical novel Gates of Fire. Shawn was the only editor in New York to do so. Gates has gone on to sell more than a million copies. 2. It was Shawn who came up with the title, The War of Art, when his indie publishing house, Rugged Land, published the book in 2002. (Steve's title was The Writer's Life.) 3. The first person fired off the movie version of Steve's novel, The Legend of Bagger Vance, was Steve himself. The film's producer, multi-Oscar-winner Jake Eberts, phoned Steve to inform him that the director, Robert Redford, had a writer of his own that he wanted to work with. Steve thanked Jake sincerely and profusely, explaining that this was the first time he had ever been fired off a project, where the individual doing the firing had the good manners to actually inform him of that fact—instead of Steve having to read about it in the trades. 4. Steve's literary agent for Bagger Vance (who also made the deal for Steve's latest novel, 36 Righteous Men, coming in 2019 from W.W. Norton) is Sterling Lord of Sterling Lord Literistic. Sterling is ninety-eight years old and going strong. In 1948 he made the original deal for Jack Kerouac's On the Road—for $900.